Black Library Live! 2012... Bring It!


I am really excited about Black Library Live! 2012. For those who aren't aware, Black Library Live! is an annual event celebrating Black Library novels and their authors. It's in its fourth successful year and Black Library Live! 2012 takes place on Saturday 3rd March at Warhammer World in Nottingham. A range of Black Library authors, artists and editors will be in attendance - as indicated below. I'm looking forward to seeing the noble ranks of the Black Library loyal readership - who are always a joy to meet - and perhaps signing some books while I'm at it. I have several signing sessions during the day and will, of course, be jazzed to sign any of my novels, anthologies or limited releases. My two most recent books, my Space Marine Battles novel Legion of the Damned and the Horus Heresy novella anthology The Primarchs will both be available to buy months earlier than their print release date. You're welcome to bring them along and shoot the breeze while I scribble away.



I'm also fortunate enough to have been invited to sit on the panels of three different seminars during the day. These are indicated below and if you attend I'll try my best to answer questions and not ruin the Warhammer universes for you. I look forward to seeing you.

Black Library Live! 2012 Schedule

FerretBrained


As an author, I’m naturally interested in what readers think of my work and the insights they have into my characters and narratives. I am especially appreciative when readers take the time to commit said insights to paper or pixels. Below is a really thoughtful review of my novel Legion of the Damned from a really interesting e-zine called Ferretbrain. Contributors to the Ferretbrain site review a range of literature – including science fiction and Black Library releases. They also write articles and podcast responses regarding fiction and film. I’m really happy I happened on Ferretbrain and encourage you to check it out. Arthur B is responsible for the excellent review below and more of his Black Library reviews can be found here and on the side bar link. Beware - there are spoilers. Oh, and grab a coffee. Take it away, Arthur...

"How is the book? Well, it's an interesting one. The Space Marine Battles series is pitched as somewhat larger than average Warhammer 40,000 novels based around depicting the iconic battles from the histories of various Space Marine chapters, as alluded to in various 40K army codexes and rulebooks. In practice, this means you are guaranteed three things: the book will be full of Space Marines, the focus will be on enormous epic battles as opposed to squad-based stuff, and if yours is a mind crammed with 40K setting trivia you probably know how each of the books is going to turn out; the exercise here is taking those one-paragraph Codex descriptions of legendary battles and expanding them into interesting stories which make finding out precisely how the events in question unfolded enjoyable.

In this case, Sanders tells the story mostly from the point of view of Zachariah "the Scourge" Kersh, a member of the Excoriators. Like the Soul Drinkers, the Excoriators are a spin-off Space Marine Chapter from Ferretbrain's favourite Chapter, the Imperial Fists, broken off from the Fists after the Horus Heresy when Rogal Dorn reluctantly agreed to split up the original Imperial Fists Legion. Like the Fists and the other Fist successor chapters, the Excoriators proudly bear the genetic heritage of Dorn, and like the Fists themselves like to seek ecstatic communion with Dorn through pain. On top of this, the Excoriators are prone to the Darkness - a catatonic state which they can fall into spontaneously, in which they are overwhelmed by the despair which washed over Rogal Dorn when it seemed that the Emperor had died at the end of the Horus Heresy.

Kersh, when the book begins, is deep in the Darkness, and deep in dishonour on top of that. In the midst of a heated battle with the Alpha Legion faction of Chaos Space Marines, Kersh both allowed Chapter Master Ichabod to be gravely injured by his enemies, but also failed to stop the Legion from stealing the sacred Stigmartyr - the battle-standard which bears the bloodstains of each accepted brother of the Excoriator chapter. Whether Kersh's fall into the Darkness was the result of these dire events or whether it preceded them is left ambiguous: what matters is that Chapter morale is at an all-time low, and more or less everyone blames Kersh.

The Apothecary Ezrachi takes drastic action to awaken Kersh from the Darkness when it becomes clear that he is the only champion of the ten dispatched by the Chapter Master who still has a hope of winning the Feast of Blades - the epic duelling tournament that the Imperial Fists and their successor chapters hold in order to celebrate their shared bonds by hurting each other in a respectful, brotherly way. As it turns out, Kersh wins, and having regained some semblance of honour is promoted to Corpus-Captain and placed in charge of the Chapter's 5th Company - the segment of the Chapter tasked with tracking down the lost Stigmartyr. Before they can crack on with that, however, certain Chapter obligations born of oaths from centuries back oblige the 5th Company to do a minor favour for the Ecclesiarchy - visiting the cemetery world of Certus Minor to lend Space Marine levels of firepower to an investigation into strange Chaos-related phenomena on the planet.

In taking command of the Company on his first mission as a leader rather than a follower, Kersh faces three major challenges. His first problem is that every single Space Marine in the Company hates him - because he lost the Stigmartyr, it's his fault they've been tearing around the galaxy chasing up wild goose chases and getting killed in order to try and get the thing back. His second problem is that he's haunted by a ghostly Space Marine - a mysterious skeleton in power armour which nobody else can see - and he's not sure whether he's losing his mind, suffering the after-effects of the Darkness, or being influenced by the Warp. His third problem is that the Chaos manifestation on Certus Minor turns out to be a beacon that brings the Keeler Comet to the system - and wherever the bizarre, Chaos-tainted Keeler Comet goes, the horrifying Khorne-worshipping horde known as the Cholercaust follows. Led by the terrifying World Eaters legion of Chaos Space Marines, the Cholercaust makes a habit of massacring every living thing on every world they get close enough to - and that puts Certus Minor next up on the omnicide list.

At its core, then, Legion of the Damned is a siege story of the sort which is hardly uncommon in Black Library novels. The first thing a siege story needs is an interesting location for the heroes to defend, because that establishes what the stakes are, gives us some reason to care about the place in question, and helps to explain what the characters' stake in this is. Certus Minor is a great setting for a 40K siege story because it is the sort of ludicrous society which could only exist in the Warhammer 40,000 setting; it's the last resting place of Umberto II, a universally respected leader of the Ecclesiarchy, and so the planetary economy is based mainly around renting out space in graveyards all over the planet so that people from across the Imperium can have the honour of being buried on the same planet as the holy Umberto - that is, for a century or so, before the rent runs out on their plot and they are turfed out for the next customer to go in their place.

The fact that Certus Minor is a cemetary world does at points help shape the action of the book. For instance, the defence of the planet is centred on the mausoleum of Umberto II because the Sisters of Battle have over the years turned it into as impregnable a place as any (but at the same time their priority is defending Umberto's remains as opposed to the living citizens of the planet, putting their leader at odds with Kersh), and Kersh hits on a novel way to use the graveyards to shelter the planetary populace against the invasion. This is all a nice bonus, but it's not the main reason it works so well as a setting. That reason is a lot more straightforward: the cemetary world concept is a simple idea which instantly gives you an evocative image of what the planet is like - lots of shrines, lots of priests and gravediggers, and graveyards as far as the eye can see. We don't get much more detail than this on the world beyond the capital, but as far as totally metal backdrops for a siege story go you don't really need more.

The next thing a siege story requires after an interesting location is interesting defenders, and of course the primary focus of the novel is going to be the Excoriators. As a chapter, these guys take the whole Imperial Fist masochism deal to startling extremes; their daily devotions include the practice of "Donning the Mantle of Dorn", which involves the Marines having their serfs flog them until they are good and bloody before donning their power armour in the hope of attaining communion with Imperial Fist primarch Rogal Dorn through pain. So dedicated are they to this practice that when Kersh wants to punish one of his officers for insubordination he orders him to refrain from being flogged for the next week or so. Likewise, naughty Scouts (who not being full Marines yet don't get to flog themselves) are punished by not being allowed to wear their full armour, so that everyone can see their shamefullly baby-smooth skin which lacks the massive scarring that a full battle brother would be able to display with pride.

As well as making them recognisable off-shoots of the Pain Glove-loving butt-branding Imperial Fists we know and love, the particular form the Excoriators' devotions take makes them a good chapter to line up against the World Eaters: take a Chapter where bloodletting is a side-effect of their religious devotions, pitch them against a Chaos force where bloodletting is the religious devotion, and then when a Marine or two gives in to the aura of bloodthirsty rage engulfing the planet and luring people into the service of Khorne it makes a lot more sense than if an Ultramarine started seeing blood as holy. That said, what makes the Excoriators really interesting is the clash of personalities within their ranks, which makes sure that their internal politics is just as tense as the situation on the planet.

Sanders also does well when it comes to helping us root for people other than the lead Marines whilst simultaneously making sure the additional viewpoints are limited enough that the novel does not lose focus. The best non-Kersh segments are the two snippets from the point of view of Lt. Heiss, both of which only show up at the end of the novel; we are introduced to Heiss as she strolls into her Captain's office to report that the Marines have ordered their ship - more or less the only functional planetary defence vessel left around the planet - to engage the incoming Cholercaust fleet. Discovering that he's killed himself out of fear of what's coming, Heiss as second in command takes over and proceeds to completely steal the novel's spotlight for a brief chapter and a short cameo in a later chapter. These segments work as well as they do mainly because Sanders is able to give us a really good idea of who the main officers on this ship are and what their relationship with each other is like in a very quick and no-bullshit sort of way - for instance, the tense exchange between Heiss and the ship's chaplain suggests a history between them which we really don't need to know the details of, but the implication that it exists is more than enough to lend a bit of flavour to the chapter. Note to Sanders and Black Library: give Heiss a posting in the Imperial Navy or a Rogue Trader commission or something (I seem to recall that it isn't confirmed she's dead at the end of the book) and give her a series of her own, please, because I will read stacks and stacks of omnibuses about this crew.

As well as people we can root for, a good siege story also needs good bad guys to besiege the heroes. (It is a big plus if these bad guys do not look like, say, Mongols or Arabs or Native Americans or Mexicans with the serial numbers filed off, as is so often the case in SF/fantasy siege narratives.) The Cholercaust, despite having a completely stupid name, fits the bill. Between the outbreaks of psychotic rage which see hordes of unthinking maniacs ranging over the grave-strewn countryside and the masses of gibbering Chaos creatures who fall out of the warp-rift in the tail of the comet and make planetfall in a decidedly grumpy mood, the defenders already come up against a hellish array of foes before the Cholercaust proper makes planetfall. When it actually arrives, Sanders goes to town with the descriptions, vividly evoking the crazed rag-tag mass of Khornate cults and champions who flock to the Cholercaust's banner. The few chapters which lend any sort of insight at all into the inner workings of the enemy are some of the best depictions of a Khorne cult I've ever read in a Black Library novel; the starship commander's bridge which is part operations centre, part VIP viewing space for the captain's very own personal gladiator arena is particularly metal.

In fact, any part of the novel which involves violent action - which is what most of us read Warhammer 40,000 novels for in the first place - can be relied on to be totally metal. Incidents like the Feast of Blades, Kersh's duel with his second-in-command over the leadership of the Company, and all the battle sequences present some of the most vivid and violent fun the Black Library has to offer. Sanders does a particularly good job of maintaining tension - aware that a subset of his readership is going to know exactly how the battle is going to go down, he's completely upfront about it, providing in the prologue the first half of a framing story showing that the Cholercaust was eventually defeated on Certus Minor and that only a single Marine survived and there's indications that something not completely unreminiscent of divine intervention from the Emperor might have happened. What Sanders is able to do well is introduce aspects and subplots to the story which go beyond what sparse details we already know, so that when the framing story wraps up in the epilogue there's still some matters to resolve and still some surprises to be had - including Kersh's own small victory against the Cholercaust, of a sort which isn't immediately obvious from the prologue.

About that victory. Kersh is probably one of the most interesting Space Marine protagonists in a Black Library novel, because Sanders is able to provide him with motivations and goals which we as readers in the modern day can sympathise with, but have these arise from values and ideals which make perfect sense in the context of the setting. It's extremely clear that between the extensive modifications that transformed him into a Space Marine, the extreme S&M hit-me-harder-I'm-not-bleeding-enough culture of the Excoriators, and his personal experience with the Darkness and his dishonour, Kersh has become almost completely alienated from the average citizen of the Imperium, and indeed the Excoriators in general have a fairly aristocratic "we're technically descended from the Emperor, you know" take on the relationship between Space Marines and normal human beings.

Yet, at the same time, despite the rest of the Company urging him to drop the whole Certus Minor thing so they can go tearing off after the Stigmartyr, Kersh is determined to stick around on-planet to aid the defence against the Cholercaust and save the lives of at least some of the planet's citizens. In the hands of a lazier Black Library author this would be because protecting the citizenry is an end in itself, but of course it's the grim darkness of the far future and that isn't actually the case at all. Here, Kersh sticks around at first because if he ditches the planet he'd be breaking the Chapter Master's obligations and dishonouring the Excoriators yet again, and then later because he realises that the Cholercaust has built this fearsome reputation around killing every single human being on every planet they encounter, so if Excoriators can save just a few people from the carnage then even if they don't stop the Cholercaust from moving on in the wake of the Keeler Comet, they'll have pulled off a victory which proves that people can survive its coming, and so the morale of every single planet down the line from Certus Minor to Terra will be improved and they'll have a better shot at actually stopping the Cholercaust.

The end result is that there's plenty of tension surrounding the fate of the citizenry and whether Kersh's desperate plan to rescue them will work, and when the end results of the plan become apparent in the epilogue it's genuinely moving - despite the fact that our reasons for being glad a bunch of people didn't die don't quite map onto Kersh's reasons. In short, Sanders has managed to be both on one hand true to the grimdark nature of the Warhammer 40,000 setting whilst on the other hand presenting a protagonist who isn't a morally vacuous shitwipe, which is more than many grimdark SF/fantasy authors who aren't writing in tie-in fiction can claim.

The one place where I would say Sanders falls down a little is in his handling of the titular Legion of the Damned. If you know your Warhammer 40,000 lore, of course, you already know who they are and so don't need any real introduction to the fact that there is a legendary chapter of Space Marines out there who got trapped in the Warp and mysteriously materialise where they are needed the most and when all else has failed, and might possibly be acting at the direct beck and call of the Emperor himself. Knowing this, you'll expect the mildly deus ex machina nature of the ending and will be prepared for it. If you don't know your lore, you're not going to have a clue who the Legion are, you're not going to have that much of a better idea once you're done reading, and whilst the Legion don't come completely out of nowhere - there's Kersh's visions foreshadowing them - the fact that novel builds up to them showing up and wiping the floor with the World Eaters might throw people who aren't expecting it (which is why I'm spoilering it right here). Aside from that, as far as generic 40K novels about Space Marines blowing shit up go, Legion of the Damned is the best I've read so far."

Celebrations and Appellations

Happy Birthday, Warhammer! Indeed, Warhammer has reached the grand old age of 25 – which isn’t half bad for a gaming and fiction milieu. It can now legally drink, smoke, drive, impregnate another fantastical universe and marry without our consent (but hopefully not in that order). Past and present devotees are celebrating in different ways. Parent company Games Workshop, for example, held a huge party across its hobby centres – staging timed tabletop battles, painting competitions and releasing limited edition miniatures to mark the occasion.

Warhammer has brought me a great deal of entertainments and enjoyment – both as gamer and author – over those 25 years. I was fortunate enough to spend the celebrations at Warhammer World in Nottingham, where I was signing copies of Legion of the Damned and The Primarchs for eager readers. I was in good company. My Black Library colleagues Graham McNeill and Andy Smillie were also in attendance, signing copies of Iron Warriors: The Omnibus and Gotrek and Felix: The Anthology, respectively. The blogs of both authors can be found on the side bar.

I would like to say a big thank you to all the people who bought and brought books for me to sign. It was brilliant to meet you and chat. Particular highlights for me were an opportunity to sign my entire back catalogue - short stories, limited editions and all - and the opportunity to see fantastic miniature renditions of Bronislaw Czevak and his Inquisitorial retinue from Atlas Infernal, created by one of the competing gaming groups. (Guys – if you are reading this, the photo I took with my iphone is terrible and doesn’t do your work justice, so I won’t post it yet. If you can contact me through the blog and send me another, I’d really appreciate it, because I was seriously impressed!) I’d also like to say thank you to Eddie at GW for all the organising. Cheers!

Signed in Blood


I will be signing copies of my new Space Marine Battles novel Legion of the Damned at the Black Library stand during the 'Warhammer 40,000 Doubles Event' in Warhammer World on Saturday 25th February (this weekend, for people like me who try to live their lives without a calendar). I will be there from midday, so feel free to drop by. See you there! The fantastic Graham McNeill will also be signing copies of Iron Warriors: The Omnibus and pre-release copies of his new audio drama, Eye of Vengeance.

I am also looking forward to meeting people at Black Library Live! 2012, that takes place on Saturday 3rd March – more of that later. Also, don’t forget the newest of Black Library’s events – the Black Library Weekender 2012, which takes place on Saturday the 3rd and Sunday the 4th of November at the Nottingham Belfry Hotel. Check out the website for further details and to purchase tickets for this great new event.

I am reliably informed that I can’t actually sign books in blood – mine, your own or your enemy’s – at the above events. Something about Health and Safety regulations...Who knew?

For Your Viewing Pleasure



Well, this is a first for me. I’ve never had a book trailer before. This is a trailer created by my publishing company Black Library to advertise my newest fiction release called Legion of the Damned. One of the things I particularly love about this is that the book technically has its own mood music or theme tune. I’d like to say a big thank you to Rob Ashley White – one of Black Library’s skilled Techmarines – for his great work on this. Really made my day. Just press play. Watch the trailer. Then grab yourself a copy of the book. In that order. The novel is now up for pre-order or you can download the ebook right now.

My Spotless Mind


It was Valentine’s Day yesterday and at the end of the day I settled down to a romantic film with my loved one. The film in question was Eternal Sunshine of the Spotless Mind. It was a second viewing of this film for me and I had (ironically) forgotten how much I liked it. It was also super-suitable. Not only was it a romantic film - suitable for the demands of the day - it was an excellent piece of science fiction. I like clever films - as I like clever fiction – and Eternal Sunshine is appropriately ambitious and structurally experimental, while at the same time drawing understated but heart-wrenching performances from its two leads: Jim Carrey (who can be very good) and Kate Winslet (always very good).


I won’t ruin it for others by paraphrasing the narrative: the story, however, is refreshingly honest about the nature of romantic relationships at the same time as keeping the audience on their toes with interesting visuals and playful organisation. As a piece of science fiction it is not only a cerebral film with something to say, it also manages to effortlessly work in a highly original chase sequence. In fact, re-watching the film, it reminded me that Christopher Nolan’s (still excellent) Inception wasn’t perhaps as original as initially thought. The supporting cast (Kirsten Dunst, Mark Ruffalo, Elijah Wood and Tom Wilkinson) are all excellent, with their sub-plots all feeding thematically and structurally into the main story. As Director, Michael Gondry manages to give the film a visual style that is both authentic and surprisingly distinctive at the same time. Most credit deserves to go to the writing genius that is Charlie Kaufman: it is almost as though the entire film, in its glorious detail and cleverness was splurged fully formed onto celluloid from the man’s brain. Kaufman pulls off both an Academy Award winning script and a great piece of science fiction at the same time. The film is that rarest of beasts – a science fiction romance, that is very satisfying as both.

Here are five more, that although not in the same class as Eternal Sunshine, are in the same category. That said, Groundhog Day is pretty damn good too. Perhaps you can think of more.


Groundhog Day
Bill Murray plays Phil Connors, an egocentric Pittsburgh TV weatherman who, during a hated assignment covering the annual Groundhog Day event in Punxsutawney, finds himself repeating the same day over and over again. He uses this unusual event to try a woo his producer, Andie McDowell.








The Time Traveller’s Wife
Eric Bana is Henry DeTamble, a Chicago librarian with a genetic disorder that causes him to time travel randomly as he tries to build a romantic relationship with his love Claire, played by Rachel McAdams.









The Lake House
Keanu Reeves and Sandra Bullock as Alex Wyler and Kate Forster, respectively an architect living in 2004 and a doctor living in 2006. The two meet via letters left in a mailbox at the lake house they have both lived in at separate points in time; they begin to fall in love, carrying on correspondence over two years, remaining separated by their original difference of two years.








Meet Joe Black
Brad Pitt plays Death, who decides to spend some time on Earth as part of a recreational and research undertaking. He chooses billionaire on the brink of death Anthony Hopkins as his guide in exchange for a few more days of life, but Death does not figure on falling in love with Claire Forlani - Hopkins’ daughter - along the way.





















Kate and Leopold
Hugh Jackman plays a duke who accidentally travels through time from New York in 1876 to the present and falls in love with career woman Meg Ryan modern day New York.

Valentine's Day 'Massacre'

It’s Valentine’s Day and while roses have been bought and romantic meals are being made, in fairness, my word association response to ‘Valentine’s Day’ is more likely to be ‘Massacre’ than ‘Saint’ or ‘Card’. Talk of massacres brings me back to Legion of the Damned, in which the Cholercaust Blood Crusade intends on putting every man, woman and child to the blade on the cemetery world of Certus Minor. Romantic. Red, at least, is the Blood God’s colour. Legion of the Damned has been getting some nice attention, particularly from the review site The Founding Fields, who have been kind enough to devote another review to the novel from another reviewer. This time, Lord of the Night is at the helm. I’d like to thank him for choosing the novel and taking the time to record his thoughts and reactions. I encourage you to check out his review below.

Legion of the Damned Review by Lord of the Night - The Founding Fields

The Primarchs


I’m really happy to announce my inclusion in the Black Library anthology called The Primarchs. This is really exciting for me, since The Primarchs belongs to the New York Time Bestselling Horus Heresy series. My last contribution to the series was my short story The Iron Within. The Iron Within, as my first foray into the Heresy universe, was very well received and can be read either here as a short story ebook or as part of the Age of Darkness anthology. If listening is your thing then you can listen to The Iron Within here as an audio short, read by the excellent Jonathan Keeble. I really enjoyed the setting and the new possibilities that writing in the Horus Heresy era offered.

I share the pages of The Primarchs with three other great Black Library authors: Gav Thorpe, Nick Kyme and Graham McNeill. Each of these writers has announced their novellas – which you can check out on their blogs, the links to which are situated on the side bar. My novella is called The Serpent Beneath and focuses on the involvement of the twin primarchs Alpharius and Omegon in the unfolding Heresy. I have a real passion for the Alpha Legion and have enjoyed their entries in the series so far. I have written about the Legion in the 40K setting and particularly appreciate their modus operandi. The blurb for the anthology reads as follows:

“Created in the Emperor’s own image, the primarchs had long thought themselves to be princes of the universe and masters of their own destiny – they led the Space Marine Legions in glorious conquest of the galaxy, and no enemy of the Imperium could stand against them. However, even amongst this legendary brotherhood, the seeds of dissent had been sown long before the treacherous Warmaster Horus declared his grand heresy. Gathered within this anthology are four novellas focusing on some of the mightiest warriors and leaders that mankind has ever known – Fulgrim, Lion El’Johnson, Ferrus Manus and the twin primarchs Alpharius and Omegon – and the roles that they may have yet to play in a war which threatens to change the face of the Imperium forever.”

The Primarchs is available from June and can be bought directly from the Black Library website here but if you are attending the 'Black Library Live! 2012' Event in Nottingham on March 3rd then you will be able to pick up a copy a full three months early!

9.5/10

It is still another month before my novel Legion of the Damned is released in paperback. I was fortunate enough to get an early release for the ebook version of the novel and have been enjoying some early reviews. This is one that particularly stood out - and not only the rating (a personal best, for me!) Shadowhawk writes for the veteran reviewing site The Founding Fields, where many a Warhammer 40K novel review can be found, as well as his own site Sons of Corax. As I’ve said in the past on the blog, I particularly enjoy thoughtful reviews in which the reviewer demonstrates their emotional and intellectual connection with the text. I get this in spades in Shadowhawk’s review of Legion of the Damned. I'd like to say thank you for the time and effort he put into both reading the novel and writing the review. Check out the review here:

Legion of the Damned by Rob Sanders – Book Review [Shadowhawk] The Founding Fields

Apollo 18


I finally got to watch this recently and had been looking forward to the film. The reason for this was the science fiction setting of the movie: I’ve always found the moon conspiracy stuff fascinating and fertile narrative ground for film and narrative. I loved Capricorn 1 as a child and I was hoping that Apollo 18 could recreate some of that magic – just in a different fashion.

The film follows the factually cancelled 'Apollo 18' mission to the moon - that is secretly reinstated in the movie. It is filmed in a found-footage style made famous by The Blair Witch Project: the idea being that recovered footage from the moon has found its way onto the internet and has been edited for our scrutiny. The suggestion is that there is a reason the United States (or any other country for that matter) didn’t return to the moon: that they discovered something horrific there that required further investigation.



The film very much follows in the footsteps of the Paranormal Activity Series, which in itself isn’t a bad thing. Audiences swiftly become jaded to series tricks, but the first Paranormal Activity film (up until the denouement) did scare a lot of people at the cinema and can be quite creepy, watched in the house on your own with the lights off. Unfortunately, Apollo 18 doesn’t even have the same cheap-thrill charm as that first film. It’s not that Gonzalo Lopez-Gallego’s instincts are off about the setting. The lunar surface could have made a sinister landscape and the LEM an appropriately claustrophobic location. The effects are good and the actors, Warren Christie, Lloyd Owen and Ryan Robbins, do a fine job. It’s the direction Lopez-Gallego and writer Brian Miller take the story that’s the problem. They have some fun with some of the moon hoax details (not unlike the attempt made by Transformers 3) but ultimately take us to a fairly dull place in terms of narrative and tension. In this way I think of Apollo 18 as a missed opportunity. There’s a good initial idea in there but I feel that even with the actors cast and sets built, Apollo 18 could have risked and benefitted from a last minute change to the script and story.

One interesting thing I did discover when checking the film out on IMDB was that the movie in its entirety only cost $5 million dollars to make. That’s pretty cheap for a film that is heavy on handsome extra-terrestrial sets and lunar landscapes. The film models its style on real Apollo footage – even down to the movement of astronauts and vehicles on the moon and in the zero-gravity conditions of space. The actual Apollo 11 mission cost $335 million dollars – which equates to $1.75 billion dollars today. Sticking with the conspiracy theme, it would have been cheaper to have faked going to the moon than actually going there! Certainly, in these cash-strapped times, Director Lopez-Gallego gets plenty of authenticity for his measely $5 million.