Showing posts with label Fantasy. Show all posts
Showing posts with label Fantasy. Show all posts

"Without a doubt, one of the finest fantasy novels this reviewer has ever read"

OUT NOW

The novel ATLAS INFERNAL.


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Today I'd like to look at a fantastic review for my new fantasy novel 'Archaon: Everchosen'. Lord of the Night is a veteran reviewer for The Founding Fields and Talkwargaming. He was kind enough to take the time to read and review 'Archaon: Everchosen'. There are some wonderful insights, observations and lots of delicious detail here. For those who have not read the novel yet (and you should - it can be found HERE!) you should know that the review contains SPOILERS. I have reproduced the review below but if you would like to check out the review at its original source or more reviews by Lord of the Night then they can be found by clicking the site links above or on the sidebar 'Sites Deserving of Attention'. His reviews for my novels LEGION OF THE DAMNED, ATLAS INFERNAL and the novella THE SERPENT BENEATH can be found by clicking the links. My thanks again to reviewer Lord of the Night. Enjoy!


"Lord of the Night reviews the electrifying Archaon: Everchosen by Rob Sanders.

"Without a doubt, one of the finest fantasy novels this reviewer has ever read. Filled with powerful and insane battles, complex and twisted characters and a story that takes everything we thought we knew about Archaon and turns it on it's head. A must-read for any fan of Warhammer Fantasy!" - Lord of the Night @ Talk Wargaming

I was delighted to be able to get a copy of Archaon: Everchosen from Black Library Live, though I did not attend a proxy-bought copy now sits on my shelf, signed by Rob himself no less. Archaon has always been an intriguing and controversial part of Warhammer Fantasy, the Storm of Chaos and his defeat by Grimgor Ironhide and Valten making his supposed status as Lord of the End Times rather amusing. And with the retcons of such things by recent army books and lore entries it appears as if restoring Archaon to being the anti-christ of Warhammer Fantasy is the goal for his character. And after reading this book I am quite sure they are doing a damn good job, this book and whatever follows it will hopefully turn Archaon from the Failbaddon of fantasy into a much more well-rounded and respected character.


Archaon. Lord of the End Times. Ravager of the Empire. Everchosen of Chaos. He is the one who will bring a storm of Chaos upon the realms of man and the legions of darkness shall follow in his wake, and by his blade the world shall end and all will fall to Chaos. But where did the story of the Herald of Armageddon begin? Who was the man who became Archaon the Everchosen of Chaos? What was it that made a young Templar turn his back on the God-King Sigmar and fall into darkness and insanity? From the forests of the Empire to the bizzare vistas of the Northern Wastes to the chill lands of Naggaroth and the blood-stained oceans between, this is the story of Archaon. The story of the man who will be the End.

The story in Everchosen covers the unknown events of Archaon's life prior to becoming a Chaos Warrior and the events that follow his fall, the search for the first of the Treasures of Chaos. However the story is told in a very interesting format that I won't spoil, but I will say this; When you see the Chapter numbers being repeated, remember that it isn't a typo. I very much enjoyed this interesting twist on the story because it made things unpredictable for Archaon, and added a sense of scale to his story, how important he is and the lengths that a certain someone is going to for him. I also like that the story covers years and even decades in the span of pages, chronicling Archaon's journey through the Chaos Wastes and the journey to become a Lord. But the choice to cover his early years, and yes to give him an actual name, was one that makes the majority of the book unknown territory for the reader. You may know where Archaon ends up but believe me, you don't know exactly how he gets there. Quite a few moments from the army book are presented far from what we expected, and as with all the army books somethings are are just outright wrong. (Remembering that the army books/codexes are the historical record and the books are absolute truth, at least I remember reading that once) Sanders does a fantastic job taking Archaon's story and adding much more detail to it both in what Archaon has to do to get to the Treasures and the character story that makes Archaon a far more compelling and deep character than his army book page suggests.

The characters are a vast range of madmen, sadists, abominations, liars and fanatics. One thing that I absolutely loved was the variety of Archaon's followers, some are mentioned once to note their deaths and some are with him for a few chapters, some for longer and some are still with him at the end; I found it fitting that the make-up of Archaon's army changes constantly, some die, some fail, some live and every single one is different from the Maggot-Men of Mother Fecund, Fengshen Ku and the Dreaded Wo, the Swords of Chaos whom I found the most interesting of all, Dravin Vayne and his lover Sularii, and the Great Spleen who gave us some damn good action scenes in the final third of the book; and all the others that I didn't list. The key characters of Father Dagobert and Giselle were also very interesting, both having the same goal though only one retains enough sanity to even try; though Giselle was a character whose motivations I found tricky to understand, her feelings towards Archaon being hard to understand which I think might have been the point. The standout of the book however is of course Archaon, whom we see right from the beginning of his tumultuous birth, his career as a Templar of Sigmar and his fall to Chaos; and for the first time we get to see exactly how he feels about that last part. Short answer; he isn't happy. Archaon is far from the character I expected in both his motivations and his feelings on the events that afflict him. I think the best thing that Sanders has done here is take a character who in his original lore, to me at least, felt one-dimensional and very similar to those who came before; whereas here he feels like a force never before seen in the Warhammer world and a character who I think, is ultimately a true and unequivocal victim.

The action is first-rate right from the start, there is not a single battle scene in this book that felt repetitive, stale or even anything less than epic. Sanders's battle scenes are brutal even when it's just Archaon fighting off Beastmen or Imperial Knights on his own with just the trusty blade Terminus, and when it's entire armies of Chaos monsters clashing with murderous Dark Elves or the horrors of the Northern Wastes tearing at each other for the gaze of the Gods, then it's epic. Sanders adds a lot of variety into the battle as well by giving every single one of Archaon's followers their own unique forces, and by pitting them against a nice variety of enemies that provide different tests and challenges to Archaon's burgeoning army and to the Everchosen himself. Archaon's unholy strength that makes him so unstoppable in the Warhammer game is nicely represented here, but at the same time he is not invincible and several foes in the book come close to ending the Everchosen's reign of terror before it can even begin. Without a doubt the best fight in the entire book though has to be Archaon vs The Yien-La-Long, every moment those two battled against each other or just chased after each other felt epic, it also reminded me of a somewhat similar confrontation in another fantasy, but you'll have to read the book to see for yourself. To sum it up every battle was exciting and in such a battle-filled book, that is an achievement in itself.

The pacing of the book is rather odd right from the start, but if I say why it's a big spoiler so I will just say that this book is paced likely like nothing you've read before, but that is far from a bad thing. Rather it makes many parts of the book very exciting and adds a great sense of scale to the book, it helps the reader appreciate just how much effort is being put into these events and how far someone is willing to go to make sure they happen. And as I said above the book is spread out across many years, some are told in chapters focusing on Archaon's childhood and seeing him grow up, and some of those years pass in the space of a single sentence as the more lengthy parts of Archaon's journey are told almost like a saga rather than an in-depth analysis, Sanders acknowledges these years and gives them some cover but ultimately he knows what he needs to focus on and what he doesn't, and while even just reading about Archaon kicking ass across the Chaos Wastes would have been entertaining, Sanders focuses on the more important and much more entertaining aspects of Archaon's journey. Admittedly the final quarter of the book felt a little squashed together but after thinking about it I think that the rapidity in which these events came is a consequence of what Archaon does in the book and what he fails to do, plus the background lore never actually specified the space of time between some of these events so it works out.

Another thing that I think made the novel great is that Sanders is one of the few authors whom I think truly understands how to write Chaos as an entity. The insanity, changeability and contradictions that Chaos embodies are very well portrayed here. In the treks into the Wastes, the battles that fill those chapters and the horrors that Chaos unleashes; all of them feel distinct and unpredictable, what comes next is anyone's guess and Sanders does well in using his own creations rather than relying on the already established aspects of Chaos like Bloodletters, Daemonettes, etc. It's always good to see an author attempting to make his own contributions to Chaos and when they do it makes the book(s) more exciting because you can never tell what is going to be unleashed against the protagonists, or in this case by them, until its done. Not only does Sanders give Archaon a fantastic portrayal but he also gives Chaos one as well and makes the aspects and personalities of Chaos important to the plot and to Archaon as a character, which to me greatly contributes to the book being so damn good.

Now for my favourite quote, frankly every other page has Archaon or another character saying something badass, so i'll go with this one because it was so poignant and reveals a lot about Archaon as a character (in context),

"He will not. For I am already lost to him."

The ending was great on many levels. Archaon has been put into an interesting place story-wise and the next book will not only see Archaon hunting for the rest of the Treasures but also learning how to really be a leader of monsters and men and character-wise we see that Archaon now has something that one day he must deal with if he is to become the Everchosen, but how he'll do that is a mystery for the next book. Sanders ends the story on an excellent note, Archaon has gained and lost much but he is firmly on the path and where that will take him we have some idea, but for the most part we must guess until the sequel is written and released, a date that I am very greatly anticipating.

For an enjoyable and thrilling story that surprised me at many points, characters that continually surprised me with their true motivations and their actions, battle scenes that felt like an epic movie scene and for finally giving an under-appreciated character the excellent portrayal he deserves I give Archaon: Everchosen a score of 9.2/10. This is a book that every fan of Warhammer Fantasy should try, especially those of you who don't care for Archaon or what happens to him in the Storm of Chaos because I think this book completely redeems him as a character, and it's fun to read the entire way through. I would even suggest this story to newcomers to Warhammer Fantasy, it will have you hooked, although I would not recommend the book to those who aren't familiar with Warhammer as it requires some knowledge about the lore and background of the world. That's it for this review, thanks very much for reading. Until next time,

AVE DOMINUS NOX!"

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'"Something bad is going to happen."
"This is the Eye of Terror," Torquil announced sagely. "That is a given."
-Atlas Infernal

Nexus 6 (6-7-12)

It’s that time again. These are my Nexus 6 choices for this week: genre related stuff I’ve been reading on the old interweb. Last week it was the trailer for Dredd that seemed to be causing the most controversy. This time we have:



1. Top 75 Spaceships From Movies and Television

I love lists. The longer the better. Here ‘Den of Geek’ supplies 75 spaceships from famous TV programmes and films and rank orders them for us. Take some time to peruse the glorious designs and see if you agree with their order. The list can be found here.




2. George Lucas Isn’t The Only One Who Struggles With Dialogue

I came across this the other day. It is an interview with Mark Hamill and Harrison Ford on ‘The Today Show’ from 1980, dealing with the imminent release of The Empire Strikes Back. I love The Empire Strikes Back and for many fans it is the best of all the Star Wars films. It comes as a little bit a surprise, therefore, that two actors so intimately involved with the project and spent months shooting the film should be so ineloquent when describing it. At first the pair can hardly get the words together to talk about it at all. Then – like reluctant students in a class room – the two of them proceed to describe the project very badly and with a lack of cultural nuance that is likely to annoy many Star Wars fans. You also have to remember that Star Wars was already a colossal cultural phenomenon by then, so there’s really no excusing the casual approach taken by the pair to the project that made them so famous. Press Play and see for yourself.




3. Warhammer Leading The Way

One of the many great things about Warhammer and Warhammer 40k is the immersive nature of their settings. It has something to do with verisimilitude: the games designers, artists and authors have a good understanding, not only of the genre but also their history. They produce material that has a keen sense of the possible about it – which is especially useful when dealing with the largely impossible. It’s therefore nice to see the acknowledged influence of Warhammer on other publishing enterprises, like this one from Gollancz. Check it out here.



4. Aliens Are Stupid

Let’s face it: aliens are stupid. They think they’re all that when they have helpless humans strapped to tables, but when they try their hand at any other kind of invading they come seriously unstuck. Cracked introduces us to ‘6 Giant Blind Spots In Every Movie Alien’s Invasion Strategy’. Tru dat. Check it out here.



5. ‘Mermaids Don’t Exist’: US Government

An interesting news item from the BBC here, putting our minds at rest that the seas are not stalked by aquatic mythological creatures. Perhaps the US Government would like to also give us some reassurance on Bigfoot, dragons and unicorns. File under The X-Files: Federal Bureau of Investigation – Basement Division.



6. ‘I Have The Power… point’


Nexus 6 (28-6-12)

It’s time for more great genre-related stuff from the digital morass that is the internet. Is it research or procrastination when I stop to read science fiction related articles on the web: probably both – but there’s some great stuff out there and I love it when people draw my attention to interesting features and geek ephemera. This is what I’ve been reading this week.


1. Philip K. Dick’s Technological Predictions


The BBC ran an interesting article examining the different future technologies presented in the fiction of science fiction author Philip K Dick and cinematic adaptations of his work (think the flying cars from Bladerunner or the iris recognition systems in Minority Report). It examines which of these technological predictions have been fulfilled. Find out more here.




2. Top 100 Science Fiction and Fantasy Books


National Public Radio asked thousands and thousands of listeners to vote for their top 100 science fiction and fantasy books and helpfully compiled a ranked list for the rest of us. The list can be found here and makes for interesting reading (ha, ha). Not content to leave it at that, SF Signal went two steps further. For your viewing pleasure they created a flow chart of the novels on the list to help readers find the books that appeal to them (it’s impressive, and can be found here) and then created an interactive version of the resource. Click here to check out the interactive gizmo.



3. Missing Misfit


I really didn’t think I’d like Misfits – and then I watched it. Sure – it was a little rough around the edges but it was fresh and adventurous and I really got into series one. The departure of some key characters in series two threatened to derail the series but ultimately the replacement characters the creators brought in did a good job of filling the gap. Now we learn that even more key characters have had to leave for series 3. Unfortunately it’s starting to sound like a promising science fiction series is falling apart before our screens – which is a shame. This time it’s Lauren Socha – who plays Kelly: the insensitive chav who could read minds and in the second series went on to inherit the genius of a rocket scientist. Kelly as a character was criminally underused in the second season and her power was a non-starter. The writers won’t get the opportunity to rescue this, however, because BAFTA winning actress Lauren Socha was arrested for racially-aggravated assault and subsequently lost her place on the show. Irony of ironies – she was sentenced to community service, just like her character in the series. Both weird and sad for the show. Perhaps Socha should use her skills to act like a thuggish chav instead of actually being one. SFX online has the scoop and many more details here.



4. Dredd


Time to check out the latest science fiction cinema releases. This week it’s Dredd – the newest adaptation of 200AD’s Judge Dredd comic strip. The action certainly seems present and the visuals look promising – although perhaps Mega-City One doesn’t look futuristic enough. Dredd’s gurn and helmet are present and correct – and there doesn’t seem to be a comedy side-kick shoe-horned in (phew!) On the downside it seems a shame that with thirty years’ worth of comic book stories to choose from, that they opted for a science fiction version of The Raid: Redemption – a Korean film made last year.




5. VI


There’s always excitement when a new edition of the Warhammer 40k Rulebook is about to be released. It obviously involves a learning curve for gamers but 40k authors also have to familiarise themselves with such key hobby material. The 6th edition of the Warhammer 40k Rulebook will be released on 30th June. Check out more here.



6. Where's WALL-E?


Robots. What's not to like? Click on the meme and see if you can find him. Or should that be find 'it'?

Words of Honour


A freedom of information request has revealed the list of people who rejected an honour from the Queen between 1951 and 1999. Literary names were prominent amongst those to have said no to CBEs, OBEs and knighthoods in the annual New Year or Birthday Honours list. I find this list very interesting. What particularly grabbed my attention was the number of speculative fiction luminaries on the list.

This is not to say that I find authors who have accepted Honours objectionable. Far from it. There are many deserving science fiction and fantasy authors who already have my respect, admiration and love of their literary works, regardless of whether or not they have accepted such royal recognition. A good example of this is JB Priestley, whose play An Inspector Calls is a masterpiece and often interpreted to hinge on fantastical or science fiction elements. Priestley - whose work often examines issues of class difference – was awarded an Order of Merit after refusing both a knighthood and peerage.

I do, however, reserve a special respect for those writers who have explored the problematic relationship between the ruling classes (or pseudo-ruling classes as the current Royal family might be considered) and those they consider below them in the social order – and translated these insights into action. Science fiction and fantasy texts often dramatise the concerns of the here and now. They remind us of important truths, deliver forgotten warnings and give fictional form to harsh realities that readers sometimes find difficult to appreciate and differentiate in their own worlds. One example of this might be the fact that human beings should long have learned that we are all equal citizens of this planet and the parts we choose to call individual ‘countries’. There should be no chosen or special peoples. One person’s blood is worth no more than another person’s. There are no names (especially made up ones – like Windsor) that make you more deserving of a spectacularly wealthy, influential and carefree existence, while everyone else has to work hard for their success. Science Fiction and fantasy texts are replete with examples of the parasitically powerful, who live off the ignorance of people they consider less than themselves and prosper from their underlings' lack of will to do act against such unfairness and inequality. Some authors have not forgotten the examples of their heroes and when offered knighthoods and Honours from such institutions have felt compelled to respectfully decline. They should, in turn, be ‘honoured’ by their readership for standing by the beliefs they communicated to us through their literary works. Five deserving science fiction and fantasy writers on the list cited above are:

Roald Dahl (From The BFG to Tales of the Unexpected)

CS Lewis (The Chronicles of Narnia)

Aldous Huxley (Brave New World)

JG Ballard (The Crystal World and many science fiction short stories)

Robert Graves (The Greek Myths)